Tag Archive for 'solution'

Audio region labelling techniques for large speech recording projects

More and more of our work can revolve around games audio where there is a need to reliably and accurately label audio files with the correct file name. This thread came up on the Digidesign User Conference recently. ‘JamesSosound’ asked…

The company I work for are embarking on a project recording Speech for a AAA computer game for the first time. We will need to be able to label audio regions in between takes during recording as efficiently as possible. Pausing recording, then double clicking a region, copying from a script then pasting the text back in to Pro Tools would be quite time consuming for thousands of files. Is there a more straightforward solution using a plugiin or feature of Pro Tools I am currently unaware of that will ease this process. Would anybody be happy to shed light on standard industry practice for this type of process.

‘nucelar’ came back with this suggestion….

Take a look at voXover. It is not Pro Tools-based but it fits these kind of jobs perfectly. Once the recording session is done, you can of course import the files to PT for further tweaking.

‘clusterer’ suggested a workflow that uses Excel, Pro Tools and Quickeys…..

The excel-sheet had titles for each cue/take BELOW each other. so I recorded a few work steps with quickeys..:

  1. In the excel-sheet – I recorded the double click of the first title/cue, then command+c,
  2. Record the “down arrow key” to select the next title (the titles of course have to be below each other).
  3. The next recording was command+tab (to change to Pro Tools). there I hit “enter” (set marker); then command+v (to paste the name of the first title/cue); then enter again; then I recorded the PT-short-cut to move the curser forward/NUDGE for 30 seconds (nudge must be changed to 10 seconds or anything you prefer) .
  4. next step was change over to excel (command+tab)again. the next/following title in the sheet should be selected now.


so with that – you have got a “loop”. Save this as a Quickey and a shortcut.. and let it work for you. When you’ve finished the recordings you have to record a quickey that allows you to copy the marker-names into the regions regarding to the markers..

‘mjryder1′ suggested another workflow using Strip Silence….

I’ve done a bit of this before using the strip silence function on Pro Tools in the edit drop down menu.
This allows you to duplicate and name lots of regions in 1 go but is only useful if they need sequential names. (eg: VO1, VO2, VO3, etc)
Don’t know if that’s any use? if you got them named like this though you could give a folder of them to someone to rename somewhere else therefore not clogging up you studio.

‘JamesSosound’ rounded up with a thank you….

Thank you all for your excellent suggestions. The voXover software fits the bill perfectly and is a very worthwhile investment for only £250. I have been using the trial version this morning, very straightforward and versatile. Problem solved. Thanks again.


iZotope updates and fixes

IZotope have announced updates to their plug-ins which fix a problem there was with Pro Tools 8.0.4. David Could – Product Manager for Audio Post Production, has posted on this thread in the Digidesign User Conference….

Today iZotope have released updated versions of a number of their plug-ins (Alloy, Ozone 4, Trash, RX, Spectron and Vinyl) that address the issues encountered in Pro Tools 8.0.4. The updates can be downloaded from iZotope’s website. see below for direct links.

There are also updates for the other iZotope plug-ins

For AudioSuite compatibility with Pro Tools 8.0.4, users of iZotope plug-ins should download the latest versions from the iZotope website:

Finally iZotope have announced that the update to the RX restoration plug-in and application is more than a fix…

iZotope RX 1.3 Product Update
We’ve been working hard to update RX and just added these new features:

  • 64-bit Audio Unit support for native operation in 64-bit Logic Pro 9.1 and later.
  • New peak finding feature will automatically locate exact peaks in the Spectrum Analyzer faster and more effectively than manual zoom. Learn more about the Spectrum Analyzer.
  • New shortcut to choose time selection bounds in the RX application: simply listen and press the [ and ] keys during playback to set selection start and end points.
  • Many minor fixes and performance enhancements.

Download the update

All good news folks.

Drive Settings in Workspace window

I have been getting a number of calls from clients asking what to do when they get this message…

Quite often it comes up when they have moved a session on a drive from one system to another, its fine on system one but this message comes up on system 2.

So what to do?

Go into the Workspace window which you find in the Window menu of Pro Tools and when it opens it will look something like this…

We are interested in the letters in the A (audio) and V (video) columns. The letters set the status of the drive.

Any drive that isn’t formatted correctly will be set to T (Transfer) drive as these drives can only be used to transfer sessions from one system to another. They cannot be used to host active Pro tools sessions. However it is my experience that these settings can ‘change’ on drives that can support Pro Tools sessions, so it is useful to know how to reset them.

You will notice from this screen shot that ‘Work Disk 2′ is set to T which is what caused the error message above.

Assuming the drive is correctly formatted, to reset it back to normal, click on the T and a little menu will appear.

Change it to R if you want to be able to Record onto this drive or if you want to prevent recording onto the drive you could set it to P so you can Playback a session from this drive.

Now that Work Disk 2 is set to R, the session will open and all will be fine.

Another way to solve this, especially if a drive repeatedly goes back to T or P on one system but is fine on another is to delete the Volumes folder in Unicode – Databases – Digidesign – Application Support – Library on the start up drive of the system that won’t play ball. Be careful though, not to delete the Catalogs folders though as this is where any catalogs you might have created are stored.

Once you have put the Volumes folder in the bin and emptied it, restart the computer and when you relaunch Pro Tools it will create a new Volumes folder.

You could of course use the excellent Pro Tools Prefs and Database Helper application to do this for you, just select the Volumes button from the options..

Vuvuzela fever from Waves and Prosoniq

If you have Waves WNS Suppressor and their Q10 Waves have released a Processing Chain that you can download…

In response to the widely publicized complaints from TV viewers and broadcasters of the 2010 FIFA World Cup, Waves is proud to unveil a solution which dramatically reduces the problematic sound of the omnipresent Vuvuzela trumpet favored by South African soccer fans.
Working in conjunction with a major television broadcaster, we’ve precision-crafted a preset processing chain which drastically decreases Vuvuzela noise: The WNS Waves Noise Suppressor and the Q10 Paragraphic Equalizer. Together, they not only minimize Vuvuzela noise, they increase the intelligibility of the game announcers’ play-by-play action and color commentary.
The processing chain for Vuvuzela noise reduction is now available as load-and-use sessions for Pro Tools, Waves MultiRack, and Cubase. Click here for more info.

Prosoniq have gone for a different approach.Firstly they quickly produced a demo to show how their sonicWORX Isolate application could reduce the impact of the Vuvuzelas…

Using sonicWORX Isolate To Improve Dialog – No doubt sonicWORX Isolate has been recently used for a lot of creative work in the music business. But as this sound snippet demonstrates, it is far more than just a creative tool to extract and suppress instruments in a mix. This audio clip demonstrates our technologies’ ability to get rid of the annoying Vuvuzela noise from a Worldcup commentary and clearly demonstrates its use to improve dialog in cases where all other options have failed.
So don’t forget to check out our sonicWORX Isolate demo today

Then the next day they have produced a free application based on their Isolate product…

Prosoniq is proud to announce the world’s first realtime Vuvuzela filtering plug in based on sonicWORX’ audio de-mixing technology.  This technology does not use a notch filter or parametric EQ to remove the noise. VuvuX is a free Apple AudioUnit plug in that suppresses the noise created by the South African trumpet called “Vuvuzela” in realtime without affecting the audio commentary or the stadium atmosphere, allowing you to enjoy a noise-free World Cup 2010.

Pro Tools HD 8.0.4 Updates for Mac and Windows

Avid Audio have announced an 8.0.4 update for Pro Tools HD….


In our continuing effort to provide you with the best software experience possible, Avid has released Pro Tools HD 8.0.4, a free update that provides many of the most requested enhancements and fixes – for details of fixed issues see the Release Notes PDF.

8.0.4 for Pro Tools LE and M-Powered is coming soon…

Pro Tools HD 8.0.4 is a free update for all Pro Tools HD 8.0-8.0.3 owners. Version 8.0.4 supports the following operating systems:

  • Mac OS X 10.6.1, 10.6.2, and 10.6.3 (Snow Leopard)
  • Mac OS X 10.5.8 (Leopard)
  • Windows XP Service Pack 3 (Home or Professional, 32-bit)
  • Windows Vista Service Pack 2 (32-bit)

Although not officially supported, Pro Tools HD 8.0.4 can be used on Windows 7 (32 and 64-bit) continuing the public beta program for Pro Tools HD.

Pro Tools HD 8.0.4 Updates
For details and downloads, see the following pages:

Compatibility issue with Pro Tools HD 8.0.4 and iZotope plug-ins:
Users of iZotope AudioSuite plug-ins should not upgrade to Pro Tools HD 8.0.4 until an issue regarding DAE-7453 errors, and incorrect audio rendering has been resolved.

Please Note: Pro Tools 8.0.3 and higher does not support some retired products, including:

  • Macintosh PowerPC Computers
  • Expansion|HD Chassis

Please read the EOSS (End of Software Support) Announcements for more information.

Nothing yet for LE users but I am sure it will be along soon.

But good news for Canoupus box users as in the Release notes pdf under fixes for 8.0.4 it lists…

Crash when opening a session with Canopus ADVC 110 or 100 attached. (Item #PTSW-120430)
Area: Canopus ADVC 110 or 100 OS/Platform: Mac/HD Pro Tools could crash when opening a session saved with video playing out via Canopus ADVC 110 or 100.

However Wolfgang Bartsch has confirmed in this thread on the Digidesign User Conference that..

8.04 installed in the morning, no problems with canopus advc110 the whole day

which is great news for users that have been suffering problems with Canopus boxes since 8.0.3 was launched as reported here.

Problems when copying Pro Tools sessions from drive to drive

‘MX582′ posted this question recently on the Digidesign User Conference having experienced some problems when copying Pro Tools sessions from one drive to another…

So we did a session the other day on our internal drive in our mac pro running pro tools 8 and some how it saved all but a few of the audio files created during that session into a separate external hard drive that was hooked up to the computer. It created a session folder in that external drive with the session name but the only thing that was in it was the audio files folder with just the new files we recorded. I’m completely puzzled how this would happen. We didn’t have round robin allocation set or anything like that as far as i know…

‘DigiTechSupt’ asked….

Were you using a template or a previously created session that would have used the other drives folder for it’s audio?

‘johnnyv’ added…

Digi, we just had the same issue. Here’s our situation: Brand new Harpertown 8-core, fresh internal drive, fresh Leopard install, fresh PT8 install. A client brought us a session from another city, we copied that session in its entirety onto our hard drive. It was a 7.4.x session, which we opened in PT8. We worked on the song for several hours. When we finished the session, we put a full copy back onto another hard drive owned by the client. When he got home, he said that many of the audio files were missing. We went into the audio folder on our drive, and many of the files were there (roughly half). We could open the session fine, and we could see all the files, but WHERE WERE THEY? We found them on another hard drive hooked to our computer…just as the guy described above. On that drive, there was a folder with the session name, and inside of that, there was a single “Audio Files” folder which contained JUST THE MISSING FILES. So, IN THE MIDDLE OF A SESSION, for some reason, the location of our recorded files started to be stored on another hard drive! I was totally stumped.

‘Rail Jon Rogut’ correctly pointed out…

Just a heads up – never copy sessions with the Finder when sending out a copy for a client on their drive.. Use Save Copy In… and select to copy all the audio files.

‘Howardk’ agreed with Rail…

You can’t go wrong if you follow Rail’s advice on this. . . and by the same token, anything someone brings in on a transfer hard drive, open it on the drive, and use Save Copy In to copy it over to your work drive. THere are other ways to do this, safely, but this is simplest.

‘johnnyv’ responded…

Rail – Yes, that is advice well taken. From now on, that’s what we’ll do.  However — I can also imagine us keeping backups for clients, and it’s troubling to know that PT is somehow switching up hard drive locations without anyone’s knowledge, so we should definitely get this sorted out. We also had no round robin allocation selected.

‘Rail Jon Rogut’ also suggested….

Make sure the drive in the Workspace was a “Record” drive.

‘johnnyv’ replied…

Well, that’s the weird thing, Rail. Half the audio files went where they should go…in the Audio Files folder in the ProTools Session Folder. The other files ended up on some random drive we have attached to our system; a drive having absolutely nothing to do with the session, PT8, the client’s files, etc. And this all happened within the span of one recording session over the course of about 8 hours. Totally weird.

‘Rail Jon Rogut’ asked the right question…

Can you open the session and check the disk allocation for the tracks which went to the wrong drive?

‘DigiTechSupt’ then asked…

And did you possibly have ‘Round Robin’ enabled in the Disk Allocation window?

‘mixboy’ added…

I have also experienced this. Disk allocation shows everything going to the correct place and round robin NOT selected. Yet files end up on some other drive – a drive on which that project has never resided before. Internal for me, as I only use externals for transfers/backups and they are powered off before I boot PT. But I have 5 internals in my G5. It’s literally like PT randomly decided to change disk allocation yet leaves no bread crumbs for finding out where they went.

‘johnnyv’ replied….

Digi, no Round Robin selected (checked it when this happened). It’s just like Mixboy Bob suggested…it’s like ALL OF A SUDDEN PT decides to put audio on some random drive without letting you know. I’ve never seen anything like it.
Rail, will have to get in front of the session again to answer your question 100% accurately. We were checking many things when we found the problem, and I want to answer your question accurately…which I will do later today…

‘carlos santana’ suggested a possible work round…

to not allow the system to have this error again you must set the recording drive to (R) and all of the others to transfer only (T) this way protools will only reccord & work on the one you want it to & not n the others

‘audiogeekzine’ suggested….

Also get to know the Copy and Relink function in the project browser

‘Howardk’ followed on….

Yes, the project browser is very handy for this. . . just sort the listing by drive/folder (click on the header way over on the right) and if anything is in a different drive or folder it is easy to see, and then you can right click on the filename to copy and relink. Everyone gets fooled by this and sometimes it can be very serious (when mistakes compound). . . I believe there really should be an indicator on the top of the edit window to goes red whenever there are files outside of the designated audio folder (ProTools really should have a dashboard with key information like this). . . .here is one thread on this topic.

DigiTechSupt then stated…

Pro Tools has never, in any test I’ve done, placed files randomly on a drive. I’ve heard this complaint on several occasions and have even gone to customers studios to witness it, only to find something in their workflow that’s causing the problem. I’m not saying it’s not possible – well, it really shouldn’t be – but I’ve yet to see concrete evidence that it’s putting files randomly on a drive.

‘johnnyv’ replied….

I’d be THRILLED to know that we have something set “wrong”. We haven’t been using PT8 for very long, so I hold it entirely possible that it is, in some fashion, “operator error”. BUT, in this case, I DON’T THINK THAT’S THE PROBLEM.
Rail, Digi and others, check this out…when I go to the session in question, the Disk Allocation shows NORMAL, it points all tracks to the proper Audio Files folder within the Session Folder. YET, only half the audio files (well, actually less than half) are actually there…the others are on a random drive ON WHICH WE HAVE NEVER EVER RECORDED AUDIO in a folder with the proper session name and inside of that, a single folder named “Audio Files” which contains the other files that we recorded ALL ON THE SAME DAY. So, SOMEWHERE DURING OUR 8-HOUR SESSION, somehow the files were directed elsewhere. I must say, having used PT for years now after starting on Sound Tools back in the 1990′s, and owning a D-Control, HD5 Accel, Waves Mercury, etc etc, this is a weird one, and I have no explanation for it. I totally appreciate everyone’s suggestions, and as Rail pointed out, I’ll never copy via the Finder ever again. And I’m going to learn about the things others have suggested upthread. But still, something had to make this happen, and I have NO idea what it is/was.

‘DigiTechSupt’ then asked….

If you drag and drop an audio file from a different drive and do not have ‘automatically copy on import’ preference enabled, it will keep the audio file at it’s original location and play it from there. Were all these files recorded in the session or were some imported? Now, is it possible that round robin was enabled at any point? What is the nature of this other drive – how do you know for certain that audio was never recorded to it? Was the drive ever used to move a session from one place to another, possibly to another computer? If you go to the Regions bin and ‘show full path names’ – do the audio files path indicate anything about how the audio might have ended up on that drive? Was the drive name ever changed?  Was there a session template used and, if so, does the template possibly have incorrect drive allocation?

‘johnnyv’ replied…

Digi, thanks for taking an interest. Let me check into your questions and try to answer them accurately (can’t do it right now, as I’m working at the moment). To be honest about Round Robin, I never even knew about that until this issue popped up and one of my assistants looked at the setting (it was not checked). We only installed PT8 about two weeks prior to that session, and perhaps you can answer whether or not RR is “ON” by default when installing PT8 fresh for the first time on a fresh drive with fresh system, etc. I can say that the drive that this went on is a backup drive which only holds my BFD (drum software) files, and some weeks back, I copied my entire PT7 system drive onto that drive just so I had a backup in case anything ever went wrong. But, as far as I know (and I’m the main one in that room), we have NEVER ON A SINGLE OCCASION used that drive as any sort of a PT recording drive…that’s just another weird element to this. I have a Mac 8-core Harpertown with 4 internals…we record PT onto two of those internals…this drive was an external drive which happened to be hooked to the system in case we needed BFD files. I’ll report more later…

‘smlworld’ suggested…

I cannot recommend these ‘videos’ highly enough. Browser relinking is covered and all prefs are discussed in detail. As a long time PT user (back to SD2) I really appreciate Kenny’s command of Pro Tools.

‘DigiTechSupt’ asked….

If there’s some way we can get a concrete example of this occurring outside of user error, obviously we’d want to get it fixed. I’ve tried personally to make this occur on several occasions, replicating customer setups as closely as possible, but without success. If you see this occur, please note everything about the current state of your system, plus anything prior to the incident that you can recall, even if it seems irrelevant.

‘studiojimi’ posted their experiences….

I had an issue like this over the weekend and I thought I had lost my guitarist’s overdubs because they weren’t on the drive Ii was using and i had not noticed that my back up drive was online during the session and some of my templates tracks were still allocated to the BU drive because it used to be my internal. I recently purchased a terra drive and now that’s inside I was lucky that the session at least put the new info in fresh rogue folders– probably because the old backup sessions were in a project folder of their own…otherwise i would have been hosed because I had dragged and dropped to the BU drive in that project folder when backing up.  I usually manually back up the files by date and the fade files and the old sessions and backup sessions as well as the audio but as you guys know sometimes when you are tired or distracted…you do a walk away and …. hmmmm that could have been a disaster.
I feel very lucky cuz I had already called the client to tell him I had lost the files…then…miraculously I found them in those new rogue folders….and I named that a blessing immediately.

‘soundboy35′ asked….

So any ideas? I’m curious about this as well. While we’re on the topic of templates being the possible culprit, if I open a template and create a new session from drive A, then save it to drive B, and change the disk allocation to drive B, is this problem going to happen?

‘rinky’ added…

This weirdness also happened to me. I noticed that my sessions were gradually taking longer to process fades and audiosuite edits. Come to find out, my main system drive had some of the fade/audio files on it. I checked the disk allocation and sure enough, some files were being written on my system drive and some on my original 7200 rpm external drive! No idea when it started to do that since I hadn’t made any changes to prefs or to external drives… just snuck up on me! But ever since this problem my edits have been to a grind claiming that my my hard drive isn’t fast enough, etc. even after correcting the disk allocation issue. So guys, you are not alone on this.

‘DigiTechSupt’ asked…

For us to make any kind of real traction on this, we’re going to need details about the history of a session
Which drive it was created on?
How was the session created (File>New Session, from a template, etc)
Are you using the File>New Session>From a Template function, or opening a Pro Tools Session file (by double clicking or otherwise) as your template?
Did you use any custom disk allocation at any point
Was round robin ever enabled?
If you moved the session at any point how did you do it (drag and drop, backup utility, etc)?
Did you ever use Save Copy In to make a copy of the session and, if so, did you copy all audio files? Which drive did you save it to?
Is the preference to automatically import audio to the audio files folder enabled or disabled?
The more detail you can give, the easier it will be to determine what may be going wrong.

‘timragnur’ responded…

I’ve been talking with 3 colleagues of mine who has, like me, experienced this very problem. To be excact, it have occured with sessions that were made in one place, then moved (Finder, drag-and-drop) to another computer. Then, what you record/consolidate/audiosuite from this place will be put in another available harddiscs, sometimes the internal, sometimes the external. A session folder will be made in the root with the new audio files and fade files only. Obviously when you move the session, files will be missing. They were all originally made in PT HD 7.3 (new, not templates), but problems occured long after it was opened/saved with PT HD 8.0 No changes was made in the Disc Allocation, and all links appeared fine refering to the right folder. It doesn’t necessarily occur again within a troubled session. Save Copy In was not used. I know this might create a confusion, but like one wrote earlier in this thread, in the last 2-3 years using PT HD 7.3 i’ve had this problem maybe 5 times (with same kind of random choice harddisc allocation). Knowing the system very well, I think we are talking about a bug getting bigger with version 8.0.

‘Sean Russell’ also suggested this possible work round….

Change every drive you don’t need in the session to ‘T’. That solves the Disk Allocatin weirdness.

‘TimNielsen’ added….

I just want to chime in here too and say I have had this problem before as well. I have also had on many occassions, fade files that will regenerate in their ‘original’ location where they were first built, even though I have all my tracks set properly in Disk Allocation. Like, if I delete all my fades, then relaunch the session, a bunch of the fades will still redraw on the wrong drive. The only solution I found in those cases was to quit PT, take that drive off-line, delete all fades and open the session. When PT can’t find that drive it wants, then it would seem to follow disk allocation properly. I have also had the very wonky issue with PT8 where upon importing session data, tracks, and telling PT to ‘copy’ the audio, that PT will get some random part of the way through, and then just ‘reference’ the rest of them. If you aren’t watching the progress bar, and don’t see it ‘jump’ to the end, you would have never known. As far as I know, this is still present in PT8.03cs2. I now have to check upon every import that PT copied the audio. About 1 in 5 times, it will copy ‘some’ and reference the rest. It’s a disastrous bug that really screwed me several times until I realized what was going on. Save Copy In does seem to work, I haven’t had it miss any files so far. But importing session data seems still buggy. Just posting because maybe these are all somehow related.

Well I must agree that I have experienced situations when folders with some audio files or fade files folders have started to appear on other drives, but I have always found it to be due to Disk Allocation to be set to ‘the other drive’ Even for fade files. I completely agree with ‘DigiTechSupt’ that you must be very careful when moving sessions from one drive to another especially when using the Finder. The safest way to move sessions is to use the Save Session Copy, but who wants to boot up Pro Tools to move a session from one drive to another when you can drag and drop from the Finder?

The workround that ‘Sean Russell’ and ‘carlos santana’ should work but I would find it very difficult to keep switching drives from R to T in the Workspace Browser depending on what session I was working on.

The suggestion from ‘audiogeekzine’ to get to know the Copy and Relink feature is very well made and one that I have posted about here too.

I agree with ‘smlworld’ and cannot recommend Kenny’s videos highly enough.

Problem with BlackMagic Intesity and ProTools 8.0.1 LE

‘CEM3387′ asked recently on the Digidesign User Conference about a problem with BlackMagic Intesity and ProTools 8.0.1 LE…..

Whatever codec and resolution, data rate I have tried on the B.M. Intencity card it looks totally terrible when I play the video files back in ProTools thourgh the B.M HDMI out, the files are so pixelated and harsh.
If I play the same files in their own Media Express software it looks decent not good. Better resolution but still harsh.
What kind of codecs do you guys run?
Is there any adjustments I can do apart from the ProTools menu for quick time which does not affect the quality at all at this stage.
It looks like a very low rate QT file for a Cellphone played at 1920 x1080.
MacPro 8core 3.0GHz, 6GB RAM, 10.5.8 ProTools LE 8.0.1 QT 7.6.6 Black Magic 3.6.1

‘JeromeOD’ replied…

I use prores with the same kit and software as you and all is great. I’m not certain about the quicktime version though, is that definitely what it should be?

Gary Nattrass added…

I am running virtually the same system but with QT V10.
Like Jerome Pro res full HD files are no problem.
Have a look at the BM card settings in system preferences there may be something adrift there.

CEM3387 responded…

Thanks for the replies. First of all it the harshness was a “AV MODE” setting on the display I am running. As soon I found that bastard and disable it, it looks more natural. “I am running virtually the same system but with QT V10″
Do you run OS 10.6.x or 10.5.8? “Like Jerome Pro res full HD files are no problem.” OK I´ll see if they can prep that for me. What version HQ, regular or LT? “Have a look at the BM card settings in system preferences there may be something adrift there.” I un-checked the “Remove field jitter when video is paused” that was recomended somewhere else. Other that that I do not know what could affect output. Output is set to HDMI NTSC/PAL and output processing it Off.
Also I cannot get the display the whole picture frame regardless of setting on the monitor setting. The monitor is native 1920×1080 and I have tried with movies at native 1920×1080 and still the picture is a bit cropped.

‘Newpostguy’ suggested…

Open quicktime pro and convert it. You dont wait for picture department that way and dont look like “oops I forgot I can only run this type of codec” guy.

Convert to apple pro res 442 (mpeg streamclip or QTsync will do this for free almost as good)
Make sure the video is 720p or 1080i if HD (BMI does not do 1080p)
It would be wise to learn about various codecs and why they are used at different times.

CEM3387 replied…

“Newpostguy” THANKS! Im am now tempted to change the the subject of this post to “NO Problem with BlackMagic Intesity and ProTools 8.0.1 LE” Mpeg Streamclip For the win! It can batch convert too!
“Make sure the video is 720p or 1080i if HD” (BMI does not do 1080p)
Ahhh, did not know that I love progressive so 720p it is then.
Thanks a lot for solving my problems!

Digidesign announce one final cs update for Pro Tools 8.0.1

This update will be of use to those of us you haven’t or can’t upgrade to 8.0.3 because the various bugs that I have blogged about here. This is what Digidesign have said…

Introducing Pro Tools 8.0.1cs2 for users of PowerPC Macintosh, original Mbox, and Expansion|HD chassis
In August 2009 we announced that Pro Tools 8.0.1 would be the last full Pro Tools release to support PowerPC-based Macs, the original Mbox, and Expansion|HD chassis. We have continued to monitor the performance of 8.0.1 and now, based on user feedback, we are pleased to offer you one final Pro Tools software update—Pro Tools 8.0.1cs2—to address your most requested fixes.

Pro Tools 8.0.1cs2 updates for Pro Tools 8.0.1 HD, LE, and M-Powered are available for download from the Pro Tools CS Updates page in the Knowledge Base.

Pro Tools 8.0.1 CS Updates
Previous installation of Pro Tools 8.0.1 for Mac OS X or Windows is required.

Released May 12, 2010:

Pro Tools 8.0.1cs2 for Mac OS X contains fixes in the following areas:

  • Relinking
  • Solo
  • Locked Region Groups, Conforming
  • MIDI
  • Scoring
  • Playlists
  • Launch, Open Directory
  • CD Importing
  • ICON D-Command (HD only)

Pro Tools 8.0.1cs2 for Windows contains fixes in the following areas:

  • Relinking
  • Solo
  • Locked Region Groups, Conforming
  • MIDI
  • Scoring
  • ICON D-Command (HD only)

Pro Tools 8.0.1cs2 includes all previous fixes from Pro Tools 8.0.1cs1

For a list of all fixes included with each update, please see the release notes on the individual pages listed above.

Lets hope this doesn’t break anything else!

iZotope – announce critical Mac OS X 10.6 Patch

iZotope have released this announcement regarding a potential problems with iZotope software causing problems with Mac OS 10.6…

Attention Mac OS X Users:

We’ve recently learned that under rare circumstances, installing an iZotope product or demo and then applying any Mac OS X 10.6 update can cause some computers to experience problems booting. We have identified the cause of this issue and have provided a simple fix below.

Please download and install this patch immediately, even if you have not experienced any issues at this time. Also, make sure you delete and re-download the latest iZotope installers for Mac OS X. Please note that as of today (May 7, 2010), all of the Mac OS X installers on the iZotope website have been updated so that they no longer cause this issue to occur.

iZotope Mac OS X 10.6 Patch
If you suspect your computer has already been affected by this issue and you are unable to boot your computer, please follow the steps to fix in the iZotope Knowledge Base.

We apologize for any difficulty this has caused. Unfortunately, this issue was unpredictable and related to a rare interaction between the install process and security measures that Apple recently introduced in Mac OS X 10.6. We appreciate your understanding, and please don’t hesitate to contact us directly with any questions or concerns at support@izotope.com.

Sincerely,
The iZotope Team

Structure for Post/Sound Design

I came across this interesting thread in the Digidesign User Conference about using Digi’s sample playback plug-in for post work.

D’Animation asked…

Just a quick Q, anyone using Structure as a sample player for post/sound design work? Looking for a pretty simple player (not necessarily with sample editing as you can drag and drop edited sample from the timeline so maybe Structure LE will suffice) that can all be nicely automated with pitch etc etc – mainly for various vehicle sounds speeding up/down etc. I’ve always used NNXT within Reason but its becoming a bore and would ideally like something without rewire. I’ve used the Structure Free for awhile and its done what its needed to but need to upgrade to something else as its too restricted (OK, can’t complain cause it free…I know )

Kinda bugs me that I’m probably paying a lot for included musical sample libraries I’ll never use…

I’ve looked at MOTU’s Mach5 but they seem to be very poor with the updates and I’m not sure i need the depth/complexity of it or Kontakt 4 (still working my way through Reaktor and Absynth!). Come to think of it good RTAS samplers are a bit thin on the ground?!
Thanks
D

RussUK suggested…

I would recommend it highly after using all the usual suspects.

Especially the new version with the added import options.

Check out the videos on the AIR Users Blog.

Haven’t used the Structure Free version, so not sure of the limitations that you speak of…

latvia added…

It’s a treat to work with. Very easy to use, especially after you watch a few videos on Digidesign’s website. I like being able to spot something to timeline with Soundminer, then drag-and-drop that clip into Structure and use a MIDI keyboard to manipulate it. You can actually see it in use in an ICON For Surround Mixing webinar. I’m fairly certain that what they demonstrate there, mainly control of certain parameters with Custom Faders, you can accomplish by using any sort of MIDI controller.

guitarmongoose suggested…

As usual, check Ebay. I’ve seen just the Structure LE iLok license with out the sample license for dirt cheap. I’ve thought about getting it myself.

D’Animation responded…

Thanks everyone, the new improvements to Structure announced last week, are they available as single plugins or do you have to buy the new virtual instruments bundle to get the added features?



About Me

You are currently browsing the Pro Tools for Media weblog archives for 'solution' tag.

Donate

If you have found something useful here, please consider having a donation so I can keep this going. Thanks.

Pro Tools For Media Archives

  • 2010 (135)
  • 2009 (264)

Groove 3 advert

Flux Advert

MacProVideo advert

For UK readers

For US Readers