Tag Archive for 'free'

Free hands on Pro Tools training at BVE 2010

If you are in the UK in mid Feb and fancy some free training on Media Composer 4 or Pro Tools 8 Avid and Digidesign are offering slots at this years Broadcast Video Expo in Earls Court 2 in London from Feb 16th to 18th 2010. This is from the press release…

Register for FREE Hands-on Training in Media Composer 4.0 or Pro Tools 8
BVE

Presenting the latest in Avid products and integrated workflows, our interactive sessions will allow you to get up close and personal with the technologies of choice for the world’s top content creators.

Timeline Editing with Media Composer
Experience the speed and fluidity of Timeline editing.

Powerful effects from the Media Composer Palette
A comprehensive overview of the on board Media Composer effects.

“File based workflows on Avid” – import and export for cross platform working
How to import and export movies, images & audio files.

Harnessing the power of Media Composer Colour Correction
Fundamental techniques for colour correcting

Audio for Video: Pro Tools Explained
A hands-on project covering the principles of Pro Tools.

To enroll in a free hands-on session go here.

Seminars & Presentations at the Show

As well as showcasing our latest product releases, we are running a comprehensive programme of presentations with industry partners. See the full line-up.

Important Note
Broadcast Video Expo is the UK technology event for production, post & delivery. To register in advance for free tickets please visit: www.broadcastvideoexpo.co.uk. Please note registration for free training sessions from Avid does not include admission to the event.

brainworx offer three free plug-ins

brainworx have now released three free plug-ins. Yes three, I was surprised too. First there was bx_solo which is an MS plug-in….



bx_solo is a nice little tool that we have designed to get you STARTED with and used to the way we approach the M/S technique – be it for recording-, mixing- or mastering purposes. The “heart” of our M/S tools are our unique SOLO BUTTONS that allow you to actually LISTEN to all components of a stereo mix / stereo signal individually:

L(left channel), R(ight channel), M(ono sum) & S(tereo difference signal) – and all this PHASE CORRECTED (when needed) and mono-ed out on BOTH SPEAKERS of your system. This is very helpful when working in M/S modes (because especially listening to only the S-signal of a stereo mix is not so easy to do with modern DAW stations) and to check your signals / mixes for errors, noises, clicks, whatever…

bx_solo also contains a STEPPED M/S STEREO WIDTH CONTROL, so you can get an impression about what you can actually do with ist. Do try it out on subgroups (makes ROCK GUITAR subgroups jump out of your speakers at about 150% !!!), FX returns, keyboards / samplers, etc.

Recently they announced the release of another free plug-in cleansweep….


bx_cleansweep is a new Hi-Pass filter and Lo-Pass filter plug-in from Brainworx, introducing the new “Anti Crush Technology”:

Analog style filter curves without the typical Nyquist problems, in a new great sounding filter design (taken from our pro mastering EQ bx_digital V2!)…
Ffirst order filters (6dB) guarantee an extremely musically sounding filter set, and unique joystick control (taken from bx_hybrid) gives you fast and intuitive control.

bx_cleansweep is the plugin that should go into EVERY mix channel as the first plugin. This way you can filter out any unwanted hi-end and lo-end, and the result is a clean and tight mix.
Ever thought about why there are Hi-Pass and Lo-Pass filter in EVERY channel of the most expensive analog consoles (SSL, NEVE, etc.), but why most EQs are missing this feature??

>>> Clever shortcuts (alt/shift/ctrl) allow for detailed control over the X-axis and Y-axis of the joystick, and the EQ knobs can be set to precision mode by shift-click as well.

But on the newsletter and the free plug-in download page there is a third plug-in Dynamic Range Meter but there seems to be no info on the brainworx site about it. So I downloaded it. It is actually a plug-in from the Pleasurize Music Foundation and brainworx have been involved in writing the code for this plug-in. Their aim is to..

The Pleasurize Music Foundation began operations in January 2009 and is a nonprofit organization based in California, USA.
Our aim is to improve the sound quality of music in its various recorded formats – including data compression methods such as MP3 – as well as music destined for radio broadcast.
Only music that provides a positive musical listening experience has real market value. The Foundation’s aim is to increase the value of music within the creative production process for the entire music industry.
The objective is to revive the willingness to pay for music and therefore to create a healthier basis for all creative participants within the music industry.

It is an interesting plug-in and the centre bargraphs came colour depending on the dynamic range of the content. Green is good (wide) amber is medium and red is very compressed.

Even more free impulse responses

Following on from my posts here and here, I have just come across this link on Mac OSX Audio which lists loads of sites with free impulse responses.

Take a look….

Modifying Time Stamps for Pro Tools

Occasionally I have been asked to resolve a time stamping problem where fro one reason or another I have needed to modify the time stamp embedded in the wave file.

It is possible to modify the user time stamp in Pro Tools but Pro Tools doesn’t seem to enable you to modify the original time stamp.

So what are the solutions

One is to spot the errant file at the time you would like it to have and then Consolidate it. This will create a new file with the correct original time stamp.

However if you want to simply modify the meta-data in the original file then you have to leave the cosy world of Pro Tools and set a free application called Wave Agent from Sound Devices who make portable audio flash card recorders.

They have produced a piece of free software that will enable you to edit the meta-data embedded in a BWF (Broadcast wave Format) wav file.

They have also produced this helpful video to show you some of the features of Sound Agent

Wave Agent Overview from Sound Devices on Vimeo.

A brief overview of Wave Agent

More post friendly IRs

Following on from my first post I have come across two more sites offering Impulse Responses….

MoReVoX offer some free IRs and some bundles with mainy more for you to buy.

Signaltonoize.com have a range of IRs from well loved reverb units available as donationware

Enjoy….

'Post' friendly free Impulse responses


I was talking with some colleagues earlier this week and we got on to convolution reverbs and using them i an audio post environment and it got me thinking about bringing together collection of impulse responses.

I wrote a TL Space Master class for Sound on Sound back in June 2008. I covered how to load impulse responses into TL Space and also how to ‘roll your own’ too using FuzzMeasurePro on the Mac. If you have Logic then there is a Deconvolving appliaction built into it and there is an artlicle in Sound on Sound on how to get the most out of it. PC users shouldn’t feel left out as there is a deconvolver applicaction by Voxengo.

So here are some links to some free impulse responses I have found…

Enjoy….. If you know of any others or ‘paid’ impulses that are ‘post’ friendly then plase let us know about them by posting a comment here.

Free plug-ins – comments and suggestions please

Well there are 4 great free plug-ins that I have found useful in my every day work in audio post production.

Do you know and use any other ones?

If you do why don’t you tell us about them by commenting to this post.

A few guidelines…

  • They must be Pro Tools plug-ins
  • They should be native to Pro Tools like RTAS or TDM rather than VST
  • They should be useful in an audio post environment rather than a music environment.

Thanks.

Free plug-in 4 – Izotope Vinyl


Izotope bill their free plug-in Vinyl as The ultimate lo-fi weapon. iZotope Vinyl has been designed ‘to create authentic “vinyl” simulation, as if the audio was a record being played on a record player’.
They have provided controls for the following parameters:
Mechanical Noise – The amount of turntable motor rumble and noise.
Electrical Noise – Internally generated electrical noise, such as 50 Hz hum.
Wear – Control how worn out the record is, from brand new to played a few thousand times
Dust – The amount of dust on the record.
Scratch – The number and depth of scratches on the record.
Warp – The amount of warping and the warp shape for the record.
Record Player Year – The year of the record player – from current linear tracking turntables to 1930 phonographs. (Note this only works on the AudioSuite version of this plug-in).
Stereo/Mono – Switch between stereo and mono output
Input and Output Gain – Set the gain in and out of the effect with visual level meter feedback

Comments
I am not sure what possessed Izotope to develop this free plug-in but for post-production work it is proving remarkably useful. I have used it to treat a recording of a bell to make it sound like it was recorded on an old cylinder recorder as well as treating audio to make it sound like it came off an old film projector.

Free plug-in 3 – Flux Bittersweet II

This is a dynamic processor that apparently manages audio transients. As with all Flux plug-ins it features 64 bit floating point processing, for up to 8 channels. Centre and Stereo Modes are only available in stereo (2 channels) processing.

According to Flux, turning the central button on the sweet side, decreases the transients amplitude. On the bitter side, the transients amplitude is magnified. Bitter-Sweet also features a control to determine which elements of the signal are to be processed. In the main position, the process affects the entire stereo signal. In the Centre position, only the M signal of the internal MS matrix is processed. When Stereo is selected, only the S signal from the MS matrix is processed.

Comments
I have to admit I was sceptical at what this plug-in would do. So I first tried it on a solo vocal and I found that reasonable amounts of Bitter brought some life back into the vocal. Be careful not to over do it or all the starts of words and phrasing can jump out at you. Next I tried it on the piano track and the Sweet side didn’t have a huge effect but the Bitter side just seemed to emphasis the attack of the notes and made that particular piano sound very clunky. I followed this with a look at a bass track and medium amounts of Bitter increased the attack of the bass giving it some more ‘cut’ on the track. Conversely the Sweet side smoothed out the attack on the notes and produced a smoother sounding bass sound. Finally I turned to an acoustic guitar track. There is a track on an album that has a classical guitar which I miced with an MS pair but had to mic quite closely as there was a strings section playing in the room as well. When it came to the mix we wanted to get some sense of distance and my normal route is to use Waves Trueverb ‘inline’ and use the distance control to get that sense of distance but on this occasion it wasn’t working as well as I would like. Adding the Bitter-Sweet to it and turning it fully over to the Sweet side allowed me to back off the Truverb quite a lot and has improved the sense of space and distance I was looking for.

Free plug-in 2 – Brainworx Bx_Solo

This comes from Dirk Ulrich and the team at Brainworx. I reviewed their bx_Digital MS mastering EQ plug-in in the July 2007 issue of Sound on Sound. Now as part of their MS evangelism they have released bx_Solo, which is a simple free MS decoder plug-in. They have included their unique solo buttons in this ‘freebie’ that enable you to monitor any of the components of a stereo signal individually. They are Left, Right, Mono sum, and Difference and all are presented in phase and fed to both channels. So often when you solo the S component of an MS signal you hear it out of phase, which makes it more difficult to evaluate what is going on. bx_Solo also contains a stepped Stereo Width control which essentially is an S component gain control to increase the stereo width.

Comments
This is an excellent MS decoder that also would enable you to experiment with MS processing as well as acting as an MS decoder when using MS micing techniques. Because you can put in LR and get out MS or put in MS and get out LR of the same decoder you could set up an MS processing chain by starting and finishing with one of these plug-ins and then using your favourite processing plug-ins in between.
It would be best to use multi-mono plug-ins in between so that you can process the mono (M) and the (S) difference paths separately. This is of course how the bx_Digital plug-in from Brainworx has been designed and more and more mastering folk are using MS techniques and now you can too, for free, thanks to Dirk and the folks at Brainworx.



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