Tag Archive for 'Dolby E'

Neyrinck Or Minnetonka for Dolby E Encoding/Decoding

Found this thread on the Digidesign User Conference recently. Laki asked…

Looking at getting one of these and offloading my hardware boxes. Anybody care to weigh in on which to buy? The Neyrinck or Minnetonka version.

Mike Aiton posted…

Just a thought, but if you have the Dolby Audio Tool blue box, dont’t let go yet. The problem that I see with the software encode/decode solutions is that you can’t listen to your downmix with the metadata that you are encoding with. In the Uk on the Sky plaform, most viewers hear the downmixed 5.1 to 2.0 (as they don’t have a 5.1 decoder) so it is vital to be able to hear this. The network doesn’t transmit the LtRt that you sweated cobs over and loving put in your second programe audio on ch 7&8.. That said, I have passed this observation to Paul Neyrinck and he is “smarter than the average bear”, so I am sure a solution will be forth comming.

quadraphonics added…

I have tried both the Minnetonka and the Neyrinck software Dolby-E solutions, after using the hardware for a while and ended up purchasing the Neyrinck software. It was exceptionally easy to work with and the plug in (both encoder and decoder) worked just like the hardware – just faster. We have done well over 100 shows since we got this software. If you have any questions about how it performed in our workflow, I would be more than happy to help.

laki replied…

Thanks Randall! Tried both demos and came to the same conclusion.

Minnetonka Audio announces new version of their Dolby E Suite

In the Dolby E race Minnetonka have announced the release of v1.3 of their Surcode for Dolby E plug-in. This is from their press release…

The SurCode of Dolby® E suite consists of separate encoder and decoder plug-ins, a cost effective model affording more flexibility in purchase, deployment and use than monolithic products. The SurCode for Dolby® E Encoder has had several improvements, including better interoperability across all decoder platforms as well as user interface improvements. The SurCode for Dolby® E Decoder version 1.30 delivers improved performance with a wide variety of host and plug–in settings. CPU utilization has also been reduced, alone with significant functionality additions to streamline workflow.
For Digidesign users, the new decoder version automatically detects where the Dolby E stream resides within the very strict confines of the Pro Tools 5.1 or 7.1 bus architecture so no I/O reordering is required. The new decoder optionally configures Pro Tools channels to decode a Dolby E stereo program, a 5.1 program, or all eight channels at once. Multiple programs in the data essence can be handled simultaneously, all live and in real time. For Nuendo users, Minnetonka Audio Software has added support for decode from track as well as from live input.


There also has been an interesting thread on problems with real time decoding in which both Jason from Minnetonka and Paul from Neyrinck have contributed as well as some other serious experts.

You can find this thread here on the DUC.



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