Monthly Archive for August, 2009

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Pro Tools 7.4.2 & 8 cannot record to a GUID partitioned drive on a Power PC.

This is a known issue in Pro Tools HD & LE 7.4.2 & 8 (Mac OS X PPC).

Workaround: Format the drive with Apple Partition Map partition scheme.

This little problem slipped in with the introduction of Intel Macs and Mac OS 10.4.6 when GUID Partition Table support was introduced. The default mode when formatting drives now on Intel Macs is GUID Partition Table. If you put this drive onto a Power PC Mac like a G4 or G5 then you are likely to get 9131 errors in Pro Tools.

You can check if your drive is partitioned with a GUID Partition Table using Disk Utility.

If you select the higher level icon in the drive list in Disk Utility, in the bottom section it will show what partition map has been used.

Any drive formatted on an Intel Mac will use a GUID Partition Table. You will need to use the Options menu in the Partition tab to force Disk Utility to select Apple Partition Map.

Alternatively just format the drive on a Power PC Mac and it will be formatted with an Apple Partition Map.

If you have an incorrectly formatted drive you will need to move all the material off it to reformat it with the correct partition map.

It is in the Pro Tools documentation but it has caught me out!

Managing iLok Plug-in Licences – part 8

One of my clients had an iLok go down that it wasn’t covered by ZDT. So what happened in this case?

Day 1:
I received a call from the client and it became apparent that the iLok was not being recognised and I found that the green LED on the iLok wasn’t lit. I checked it in another known working USB socket but still no light. Fortunately the software assets on the iLok were not ‘life threatening’ to the client, so I moved the relevant plug-ins into the Disabled Plug-ins folder, so that they wouldn’t complain every time Pro Tools was booted, and brought the iLok back to my office for further investigation. I verified on my system that there was still no light and also that the Pace software couldn’t see the iLok either. It was definitely a dead dongle!

Day 2:
I went into the client’s iLok account on ilok.com, and under the Help section, found an article on ‘Broken, lost or stolen iLoks’. Clicking on the link I was presented with a clear set of instructions as to what to do next. Pace will replace the iLok free of charge if it fails in the first year and it hasn’t been physically damaged.

When you are satisfied it is faulty you have to start an ‘RMA process’, which involves sending it back to Pace in the US — there is no UK-based operation. You may be charged $39.95 plus shipping, depending what they find. Next, you need to fill in the on-line RMA form, which is clearly laid out, with prompts to help you along the way.
Once I had submitted the RMA, I received an email from Pace explaining again how the process works, reminding me that I had to send them the iLok even if it started working again. The email confirmed the iLok serial number, gave me an RMA tracking ID and explained how and where to return the broken iLok. They strongly recommend that you send it via a service that requires a signature at the far end and offers a tracking system whilst in transit. They advise you to only insure the iLok for its hardware value and not include the value of the licences held on it, as this can cause a delay in Customs. A second email also arrived almost simultaneously, advising me of the potential total cost of $39.95 for the RMA and an estimated return shipping of $33.14.
I packaged up the iLok in bubble wrap and then into a padded envelope, labelled exactly as described on the RMA confirmation email including the RMA number, and set off to my local post office. Airsure seemed to meet the advice from Pace, as it is a tracked service, and it cost £5.84 to send it insured up to the value of £36.
Day 10:
Eight days later I received an email from FedEx, advising me of the tracking number of a package from Pace.

Day 11:
I received an email from Waves advising me that they had been informed by Pace that some of the licences on the broken iLok were Waves licences, and that they had reset the Waves Authorisations on the client’s Waves account so I could download the licences on to the new iLok when it arrived from Pace. The FedEx tracking system reported that the package was now in the UK.

Day 12:
The replacement iLok arrived, with the non-Waves licences already on it: all had been replaced. The iLok was replaced free of charge under warranty and all charges had been waived. I logged onto ilok.com, registered the new iLok on the client’s iLok account, then moved onto the Waves site and downloaded the Waves licences from the client’s Waves account on to it as well.

Day 13:
I returned the iLok to the client’s system, moved the appropriate plug-ins back into the proper plug-ins folder and checked that everything was back to normal.

We may all moan about iLoks but I have to give respect where it is due: Pace turned this iLok round incredibly quickly, especially when you consider there were two transatlantic trips in that period as well.

So even though the iLok was not covered by ZDT, their system was effective and efficient.

Waves introduce plug-in rental plan – update


Last month I reported that Waves were introducing a Plug-In rental scheme. Well know they have added an extra feature in that you can offset your rental fees against the upgrade or purchase of any Waves product, not just the product you have rented.

Waves have been criticised in the past for high charges like their WUP programme but hey listened and modified that and they have clearly responded in a similar fashion with this offer.

Here is the small print…


  • The Rental period begins once the iLok has been authorized.
  • With each Rental, you will receive a Rent-to-Own coupon code.
  • To redeem the code, contact your dealer.
  • Rent-to-Own coupons can be redeemed for up to 50% toward the MSRP, up to 45 days from Rental expiration date.
  • Waves Update Plan coupons can be redeemed for up to 50% toward the MSRP, up to 45 days from Update Plan purchase date.
  • Rent-to-Own and Waves Update Plan coupons together can be redeemed for up to 50% toward the MSRP.

Source-Connect Pro 3.5 updated to standalone app


Source Elements have announced a major overhaul of their Source Connect product that enables remote recordings over the internet and supersedes ISDN lines and enables total integration of Pro Tools sessions running at both ends.

I reviewed this a while back in Sound on Sound.

This from Source Elements….


Source Elements announces Source-Connect Pro 3.5, now available for download.
Source-Connect Pro 3.5. is a full standalone application, meaning it is now more efficient on your CPU resources and circumvents RTAS performance issues in Pro Tools HD systems. You can also now switch DAW sessions without losing your connection. New features include auto-accept any connection, copy-paste in the Instant Messaging window, see all your offline Contacts and more.
Great for traveling – no need to take an entire workstation with you just to establish a remote connection.

Integration with Pro Tools etc.
Source-Connect Pro 3.5 is a fully standalone application. To integrate Source-Connect Pro 3.5 with your DAW you will need to physically connect the Audio I/O. Source-Connect Pro 3.5 has been purposefully designed to maintain full compatibility with your Digital I/O to operate perfectly with the Q Manager for Auto-Restore and Replace.

Recording
To record into Pro Tools, for example, you will connect the Digital I/O from your Mac to your Digi 96/192 and set your Pro Tools HW settings accordingly. You will see that Source-Connect Pro 3.5 can now send and receive from your Digital I/O in the Settings panel. Further, you could use your Digital I/O to send the output to Pro Tools, but use any other core-audio interface as your Mic input – including the built-in mic on your Mac!
If you don’t require access to the Q Manager Restore and Replace processes, any analog audio connection will also work for you.

New features:

  • Fully standalone application, works with all coreaudio interfaces.
  • Full support for Auto-Restore and Replace when recording to your DAW using digital I/O.
  • More responsive level meters.
  • With ‘Always on Top’ mode it feels like a plug-in.
  • Integrated Advanced Settings.
  • Optionally show all contacts, both online and offline.
  • Minimal CPU and RAM usage.
  • Fully compatible with all current RTAS/VST/AU versions.

Prices
Source Connect Pro costs $1495
Source Connect Standard costs $395

Rent it
You can rent Source Connect Pro for $250 per week if you only need it occasionally.

Neyrinck SoundCode Stereo LtRt Encoder plug-in


Paul has released a cost effective new plug-in that will provide a Dolby ProLogic II compatible LtRt mix from a 5.1 source in Pro Tools. It comes with TDM, RTAS and AudioSuite options as standard. This from the Neyrinck web site

Designed for post-production studios, TV mixers, video game mixers, and broadcasters that monitor or deliver downmixed and Lt Rt encoded audio compatible with Pro Logic™ decoders used in homes worldwide.

SoundCode Stereo LtRt Features
• Pro Logic™ II compatible matrix encoding
• Pro Logic™ I compatible matrix encoding
• Lo Ro non-matrixed down mixing
• Mute and Phase controls to isolate down mixing problems
• Mix Level controls
• Brick-wall limiting
• Adjustable Metering: VU, PPM BBC, PPM Nordic
• Adjustable Peak Metering: Hold, Auto Reset Hold, and No Hold
• Adjustable Reference Scale: -16, -18, -20, -24 dB
• Peak Value Display
• Audiosuite processing for ultra-fast downmixes
• Home theater surround monitoring

SoundCode Stereo LtRt Specifications
• Pro Tools HD and LE (complete production toolkit) 7.0 and later
• Mac OS X and Windows XP/Vista
• LCRS-to-LCRS, 5.1-to-5.1, 6.1-to-6.1, 7.1-to-7.1 (DTS-HD)
• LCRS-to-Stereo, 5.1-to-Stereo, 6.1-to-Stereo, 7.1-to-Stereo (DTS-HD)
• Bundled With SoundCode For Dolby E
• MSRP 349 USD , 269 EURO

Paul has produced this little video that shows very simply what this plug-in can do.



It is an excellent plug-in at a reasonable price and Paul also offers an upgrade package from the basic plug-in that is included in Digidesign’s Complete Production Toolkit at 249 USD.

Minnetonka Releases SurCodeTM for Dolby® Pro Logic II v2.3

Minnetonka Audio Software have released an update for their Pro Logic II plug in. This from their press release….

Minnetonka Audio Software announces the release of SurCode for Dolby Pro Logic II v2.3. Provided as a cross platform plug-in suite, SurCode for Dolby Pro Logic II now ships as a unified installer for Mac/PC operating systems supporting Pro Tools, VST based workstations and standalone applications, using a single iLok license for all flavours.

Unlike other “compatible” Pro Logic II products, SurCode for Dolby Pro Logic II is a fully licensed and certified application suite for both encoding and decoding. With an all-in-one installer, users can choose when and how to use SurCode for Dolby Pro Logic II, giving you powerful multi-platform deployment at no additional charge. For example, the very same license of SurCode for Dolby Pro Logic II on Pro Tools will authorize both the standalone product, on Mac and Windows, along with instances on any VST host.

Multi-instance support has also been added, allowing multiple Pro Logic II programs to be processed at the same time on the platform of your choice, saving time and streamlining your workflow. An example would be simultaneous VST or RTAS instances in your DAW, with the stand-alone processor running in parallel.

For a limited time, existing VST based or standalone customers can upgrade at a reduce price of only $99. Customer who purchased after May 1st, 2009 or existing SurCode for Dolby Pro Logic II RTAS users, may upgrade at no additional charge via the web direct from Minnetonka’s site here. This upgrade offer will expire August 15th, 2009.

SurCode for Dolby Pro Logic II v2.3 retails for $795 and is available through MASI’s international network of pro audio resellers, and online at Minnetonka’s site.

It seems to me that this release is firmly pointed at the demise of the Circle Surround plug-in which has been discontinued and doesn’t work properly in Pro Tools 8, see my post on it here. They have also made sure the upgrade fee is not excessive especially if you already own the RTAS version!!.

Thank you Minnetonka.

Managing iLok Plug-in Licences – part 7

Don’t Shoot The Messenger!

PACE have had a rough ride in some quarters over the years, but in my opinion it is mostly not their fault. If we where all nice honourable people, software manufacturers wouldn’t need to use copy-protection products like the iLok system to protect their business and investment through developing all these creative and useful plug-ins. I accept that PACE have a duty to provide a reliable product so that we, the software developers’ customers, are able to use our legally purchased plug-ins without problems and hindrance and I believe PACE have worked hard to develop a reliable system, as subcontractors to the software developers, to deal with end users like us through the iLok.com service.

The other criticism levelled at PACE and iLok is that it’s unfair to charge us for services like ZDT: after all, the argument goes, we have legitimately bought our plug-ins, and if we have a problem it should be sorted out as part of ‘customer support’. Well it can and it does. If you are not covered by ZDT then, as with most products, all it costs you is to ship the damaged item back to the manufacturer or their agent (in this case PACE) and they will fix the problem and send you back a fully functioning device. The charges for that service would reflect whether the item was in warranty or not.

What PACE and iLok are offering with ZDT is an insurance policy, similar in many ways to the sort of policy we take out to cover the possible loss of all our credit cards. In that case, all we have to do is phone one number and that company will contact all the different card companies on our behalf and get the lost cards blocked. We don’t tend complain about paying for that sort of service, and for professional users, $30 per iLok per year is peanuts compared with two weeks’ lost work and goodwill because you don’t have any plug-ins on your system to edit and mix with.

Pro Tools 7.4cs10 & 7.4.2cs4 Updates

Hi folks,

I am back from the summer break.

This came up a few days ago and it is nice to see Digidesign not forget those people who for what ever reason haven’t upgraded to Pro Tools 8.

The notes from Digidesign say…


Pro Tools 7.4cs10 updates for all versions of Pro Tools 7.4 for Tiger and Windows; and Pro Tools 7.4.2cs4 updates for all versions of Pro Tools 7.4.2 for Leopard are available for download from the Pro Tools CS Updates page in the Support section.

Pro Tools CS Updates

Pro Tools 7.4.2 Systems
The following are the current CS Updates for Pro Tools 7.4.2. Previous installation of Pro Tools 7.4.2 for Mac OS X Leopard is required.

Released July 30, 2009:

Pro Tools 7.4 Systems
The following are the current CS Updates for Pro Tools 7.4. Previous installation of Pro Tools 7.4 is required.

Released July 30, 2009:

What’s New in These Updates?
In addition to all fixes from previous CS versions, Pro Tools 7.4cs10 and 7.4.2cs4 include the following:

HD, LE, M-Powered (Mac & Windows)

Fixed: A play command in Pro Tools may not always engage playback on the first attempt. After a play command, the Play and Stop buttons may flash, however, Pro Tools does not playback. Subsequent tries would allow playback.

Fixed: Cannot open sessions due to PolyVector error. Certain sessions cannot be opened due to the following error: “Could not complete your request because out_of_range: Cmn_PolyVectorImpl::At”

Fixed: Audible drift when using PAL to Film TCE conversion on long audio files. Using the Time Shift Varispeed preset (PAL to Film -4%) will result in a file that drifts over time and runs out of sync with picture.

HD, LE, M-Powered (Windows)

Fixed: Cannot select the number of RTAS processors on a hyperthreading-enabled CPU. When working with a hyperthreading-enabled processor, Pro Tools does not allow selection of the number of RTAS processors in the Playback Engine dialog.

HD (Mac & Windows)

Fixed: Missing audio while recording with Destructive Punch. After a record pass using Destructive Punch, there may be a waveform present but no audio recorded to disk.

LE (Mac)

Fixed: OS X may become unresponsive while using Core Audio applications with Mbox 2 USB interfaces. The operating system becomes unresponsive (spinning beach ball, freeze, or “kernel panic” message), requiring a restart of the computer.Please Note: Connecting or disconnecting an interface while the computer is turned on (hot swapping) can also cause problems with the operating system, such as “You need to restart your computer” (kernel panic) messages. This is a separate issue unrelated to the fix listed above. Hot swapping is not recommended with any audio interface, particularly when that interface is being used by an application.

Fixed: With Original Mbox on Intel-Based Macs, DAE Error -9136 Could Occur During Playback.

  • This problem does not occur on any Mbox 2 products or PowerPC-based Macs
  • Please note that for Intel-based macs only, this fix will add approximately 3ms of monitoring latency when performing with virtual instruments
  • This fix eliminates many, but not all instances of error -9136 during playback with the original Mbox on Intel-based Macs. For other possible causes of -9136 errors, see the following article: DAE error -9136 with an Mbox on Mac OS X.

LE (Windows)

Fixed: Pro Tools LE does not launch when connected to a VENUE system via FWx card. Pro Tools LE would hang on “DAE Loaded” while launching when connected via FWx card.



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