Monthly Archive for May, 2009

Hidden shortcuts part 1

Navigation & Zooming

Here’s a handy shortcut which allows you to navigate quickly without having to dive down to the bottom of the Edit window to click on the scroll bars. Using Option+Page Down (PC: Alt+Page Down) will scroll the Edit or Mix window one ‘screen’ to the right, while Option+Page Up will scroll the Edit or Mix window one ‘screen’ to the left.

To make the selected track larger or smaller you can use Ctrl plus the up or down arrow keys (this seems to be a Mac-only shortcut). Adding the Option key into this shortcut does it to all tracks — on the PC, you can use Start+Alt plus the up or down arrow keys.

You can also adjust the nudge and grid values from the keyboard. To adjust the nudge size, hold down Command+Option (PC: Ctrl+Alt) and use the ‘+’ or ‘-­’ keys on the numeric keypad to adjust the nudge size up or down. Similarly, holding down Ctrl+Alt (PC: Start+Alt) and using the ‘+’ or ‘­-’ keys will adjust the grid size up or down.

Digidesign post update for TL Space Native


Digidesign have announced an update to their Pro Tools TL Space Native convolution reverb plug-in. This update is mainly for users of the new Complete Production Toolkit. This from the web site….

What’s New in TL Space Native Edition 8.0cs3?
  • Fixes surround sound compatibility when TL Space Native Edition is used with Complete Production Toolkit or Pro Tools HD

Who Should Use TL Space Native Edition 8.0cs3?

  • TL Space Native Edition 8.0cs3 is provided as an interim “customer support (CS)” release to address the issue described. While our testing has not shown these changes to introduce other problems, the fixes described have not been fully qualified by Digidesign.
  • Although this version will also work with other systems such as Pro Tools LE without the Complete Production Toolkit and Pro Tools M-Powered, there is no need to update from version 8.0 to version 8.0cs3 if you do not use TL Space Native Edition with Complete Production Toolkit or Pro Tools HD systems.

Additional Downloads TL Space Native Edition 8.0, previous versions, and documentation are available from the following:

Scroll wheels and Pro Tools plug-ins

If you have ever read any of my reviews in Sound on Sound on Pro Tools plug-ins you will know that I have an issue with plug-ins, knobs and mice. I just don’t get having a GUI that uses knobs. When trying to adjust a knob, which way do you move the mouse, up and down, side to side, in a circle, what, not clear, not intuitive. A slider is much clearer and intuitive when using a mouse.

So this got me to thinking could one use the scroll wheel on the mouse to adjust plug-in parameters. So I opened up a session and tried a few plug-ins in my plug-in folder to see what support there was.

Those that work – hover over the control and roll the scroll wheel

  • Digidesign AIR
  • Brainworx
  • URS
  • PSP
  • iZotope
  • Flux

Those that don’t work – no sign of life!

  • Waves
  • Digi-Rack plug-ins
  • TL Space
  • Sony Oxford
  • McDSP
  • Focusrite
  • TC Electronic
  • Massey

I was very surprised at the companies that do and don’t provide this feature. Come on Digi, oh sorry, Avid Audio – you have developed the code to put it in your AIR plug-ins so why not all your other ones too.

Please try the plug-ins in your folder and post comments so I can add them to the appropriate list and lets see if we can’t get some movement on this feature.

Flux Epure II EQ plug-in review


When Flux released their Epure II Pro Tools plug-in they added a TDM version as well as a new version of the RTAS plug-in. Once I had installed the new TDM version and opened a session that contained several instances of the RTAS Epure plug-in I was able to change them for the TDM version and all the settings stayed put so the new versions are backwards compatible.

Improvements
Flux have improved a number of features in the latest version, the cut & boost range has been increased to + & -24dB, each section has it’s own bypass and can cover the complete frequency range and the Q goes from 0.1 to 10.


The routing and setup section can have up to four MS encoders and four MS decoders enabling complex multi-channel EQ options from within one plug-in so for example it would be possible on a 5.1 channel to have an MS EQ on the front channels and simultaneously have an MS EQ on the rear channels as well.

Conclusion
In my Flux review back in
July 2008 in Sound on Sound I said that the Epure plug-in would stand a good chance of becoming my EQ of choice largely because of its excellent graphical user interface including colour coding for each section and the auto ranging display. My only reservation at the time was that it was only available as a Native plug-in so there was the latency problem to work round. Now they have released the TDM version that hurdle has been overcome and so I can see no reason now why this won’t become my EQ plug-in of choice, well done Flux!

Prices
The upgrade from Epure Native to Epure II Native is free

The upgrade from Epure Native to Epure II TDM is €250

The price for Epure II Native is €400

The price for Epure II TDM is €650

Izotope RX update


Izotope have recently updated there excellent RX restoration package.

The the great news is that one of the things they have fixed is that the Declipper Threshold can now go as low as you like. Before if the clip level was below about -8dBfs you had to use the Gain plug-in to lift the level so that the Clip threshold could see the clipping.

From the Izotope web site….

Major New Features:

  • Support for markers in WAV and AIFF files in RX application
  • Manually edit suppression curves in Denoiser with envelope
  • Added visualization for Spectral Repair before/after regions in waveform/spectrogram display
  • Added visualization for Declipper thresholds in waveform/spectrogram display
  • Major optimizations to RX Denoiser Algorithms B and C

Minor New Features/Improvements:

  • Added support for keyboard shortcuts which select a module’s preset and apply that module. Useful for quickly switching between module settings (for example when using Spectral Repair repeatedly on large files)
  • Declipper threshold can now extend below -8 dB by zooming the histogram window
  • Many performance improvements throughout all of RX’s processing modules, especially when using RX plug-ins with small buffer sizes

Brent Heber interview with Paul Neyrinck part 2

Brent Heber has released part 2 of his interview with Paul Neyrinck in which Paul talks in detail about Dolby E and his Dolby E plug-in.

Neyrinck Interview Pt2 from Brent Heber on Vimeo.

This is the second part of the interview with Paul where he talks about his Dolby E solution in more detail.

'Post' friendly free Impulse responses


I was talking with some colleagues earlier this week and we got on to convolution reverbs and using them i an audio post environment and it got me thinking about bringing together collection of impulse responses.

I wrote a TL Space Master class for Sound on Sound back in June 2008. I covered how to load impulse responses into TL Space and also how to ‘roll your own’ too using FuzzMeasurePro on the Mac. If you have Logic then there is a Deconvolving appliaction built into it and there is an artlicle in Sound on Sound on how to get the most out of it. PC users shouldn’t feel left out as there is a deconvolver applicaction by Voxengo.

So here are some links to some free impulse responses I have found…

Enjoy….. If you know of any others or ‘paid’ impulses that are ‘post’ friendly then plase let us know about them by posting a comment here.

Nomad D82 Sonic Maximiser Plug-in review

I have a unit in my ‘live sound’ rack that I am rarely without and that is a BBE Sonic Maximizer 442. I find it so useful for adding ‘brightness’ and intelligibility to my sound without having to use EQ and run the risk of feedback problems. I first came across one of these units when I was running a sound OB truck ‘The Omnibuss Mobile’ and we had an American client come over to record some live events for broadcast and he brought a BBE 442 with him and I was bowled over with the improvement and it got even better with small speakers.
Ever since I have wanted the BBE effect as a Pro Tools plug-in and now it is possible with a BBE D82 plug-in from Nomad Factory.

The BBE Process
There is plenty of information about the BBE process on the Internet but very simply the theory says when complex relationships pass through a speaker that the higher frequencies are delayed so that a lower frequency may reach the listener’s ear first or perhaps simultaneously with that of a higher frequency. This change in the phase and amplitude relationship on the harmonic and fundamental frequencies is technically called “envelope distortion.” The listener will often perceive this as “muddy” and “smeared” in the reproduced sound.

The Plug-In
The interface of the D82 Sonic Maximizer plug-in retains the same basic controls that its hardware brothers.

Controls
The Lo Contour controls the amount of phase corrected bass frequencies added to the output and the Process controls the amount of phase corrected treble frequencies.
The Output control is new to the plug-in and enables users to be able to level match if necessary.
Menu – This is almost hidden away just above the metering section and offers a range of options including loading and saving presets and links to both Nomad Factory’s and BBE’s web sites.


Insert only
The plug-in is designed to be used as an insert plug-in and shouldn’t be used in a send and return type of configuration. You can either put it on individual tracks that need some ‘life’ or in sub groups or stems or across the final mix.

This plug-in come in RTAS, VST and AU formats so will suit most host DAWs and is cross platform too.

I am so glad that Nomad Factory and BBE have got together to produce this plug-in. It means I can now easily add the BBE process to any of my Pro Tools sessions. As with most ‘effects’ it can be overdone but with the adjustment of two controls my sound is improved without needing loads of EQ.

Price
$129

Plug-in offers

  • DontCrac[k] has announced that they will extend their current Flux promotion, which offers customers 40% off on Flux plug-ins and bundles, until May, 31.
  • Waves are offering 20% off the Studio Classics Collection (SSL 4000, V-Series and API Collection) and 20% off Diamond bundle purchases including upgrades until May 31st.

  • Do you own some Oxford Plugins but want to own the entire collection ? Then Sony is offering a deal on upgrading to the Elite Collection. See below…

The Sonnox Elite Collection is a complete set of all the Oxford Plugins – Oxford EQ, Dynamics, Inflator, Transient Modulator, Oxford Reverb, Oxford Limiter and SuprEsser plug-ins.

If you own one or more of these plug-ins, all you need to do to upgrade to the Sonnox Elite Collection is purchase the remaining plug-ins from a dealer. You
will get a discount of up to 40% depending on how many plug-ins you need to
complete your set. Below is a grid showing what discounts you can expect based on the number of plug-ins you need to purchase (not how many you already own).

PAM Grid

Licenses and installers are provided electronically, but if you’d like the Sonnox Elite box, just ask your dealer!

Sonnox does not currently offer the ability to purchase ‘flexible bundles’ from our webstore, so you must talk to your local dealer.

Cycling '74 discontinue Pluggo, UpMix and others

Cycling ’74 is discontinuing sales of Max-based audio plug-in packages. This includes Pluggo, Mode, Hipno, and UpMix. They say they will still continue to support current users as best as they can, but there will be no further development on either the plug-in packages or their supporting technology.

I reviewed Upmix in Sound on Sound and with a few limitations found it a useful upmixing tool for taking mono and stereo content and producing a 5.1 version from it. It is a real shame they have taken this decision as it is yet another lower cost solution to bit the dust after SRS announced they weren’t going to make their Circle Surround plug-in Pro Tools 8 compatible.


This was not an easy decision to make, and we know it will disappoint some users. We had originally hoped to update our plug-in building technology to work with Max 5. However, we have had to face the fact that it is simply not cost-effective to support three different plug-in specifications on two different platforms, particularly given the increasing absence of standardization of host platforms we have observed over the past several years. Supporting our Max/MSP-based plug-in technology involves trying to make the entire Max environment run inside another host application. This was never a simple matter to begin with, and it has only grown more challenging with time.

We have decided instead to focus our development efforts on a single application, Ableton Live, where we can work directly with the developers and exert some influence over the host environment. Max for Live, announced this past January, offers the key ingredient, interactive software development, that reflects our company’s mission in life. With Max for Live, we’ve used our ten years of experience creating plug-ins to improve every aspect of our development system, adding new user interface tools, sample-accurate automation ramps, and flexible parameter definition and storage options.

As part of our Max for Live development, we have begun to revive the highlights of the Pluggo audio effect and instrument collection, and a couple of screen shots below show examples of our efforts to date. Our Pluggo-inspired devices will be freely available for use with Max for Live, and in recognition of our loyal customer base, we have arranged with Ableton to provide Max for Live discounts to plug-in customers. Details will be announced when the product is released later this year.



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