Avid announce new Pro Tools software version and new hardware interfaces

Avid announce new Pro Tools software version and new hardware interfaces

Wow, whilst I am away the Pro Tools world takes a lerch forward!!

New Software version

Pro Tools HD version 8.1 announced. This is only for HD users, I guess LE and M Powered users will have to wait a bit.
Pro Tools HD 8.1 is a free update for Pro Tools HD 8.0-8.0.4 owners.
Pro Tools 8.1 Details — Avid is pleased to announce the availability of Pro Tools® HD 8.1, a free update for Pro Tools HD 8.0-8.0.4 owners. This latest update offers performance enhancements and fixes, plus new support for the Pro Tools HD Series interfaces—HD I/O, HD OMNI, and HD MADI. It also adds software support for HEAT (Harmonically Enhanced Algorithm Technology), a new Pro Tools HD software add-on for adding analog warmth and color to your mix.
This is what Brent Heber has to say about the new version..

Now, you may think, 8.1 is a point release, probably some bug fixes and support for the NEW INTERFACES ( back to those in a tic) but in actuality, 8.1 sees the release of a massive, amazing, brilliant new feature set that will save serious mixers potentially hours and hours of their life. No, its not HEAT, the new tube/analogue warmth buss flavour feature….it’s the I/O setup. Yes, the I/O setup! New in 8.1, the I/O setup has been totally overhauled to make moving sessions between rooms a much, much easier process! Avid audio listened to the gripes about moving large projects between rooms, endlessly moving those little squares around to just get audio out your speakers. Taken from the I/O Setup primer:

“In Pro Tools 8.1, changes to the I/O Setup have been made in order to solve session interchange issues (such as maintaining studio settings on different Pro Tools systems) and to provide better overall workflows for session interchange. In lower versions of Pro Tools, I/O settings are recalled from the Pro Tools session document, so studio settings corresponding to your hardware could potentially change each time a session is opened. This can result in a temporary loss of monitor paths. In Pro Tools 8.1, I/O settings can be recalled from the system. This means that your studio settings can be maintained when
opening sessions created on other Pro Tools systems”

So, THAT is cool! Cant wait to play with it and put it through its paces.

I completely agree Brent, Although there is no way I would have predicted this as the feature Avid would choose to add at this point but it will be so useful for those of us who move sessions around differently configured systems.

Pro Tools 8.1 Downloads

Please see these individual pages for downloads, installation instructions, and additional information:

Pro Tools HD 8.1 Updates — August 17, 2010

More about the new Pro Tools HD Series interfaces:

Compatibility Summary

Pro Tools HD 8.1 supports the following operating systems:

  • Mac OS X 10.6.2, 10.6.3, and 10.6.4 (Snow Leopard)
  • Windows XP Service Pack 3 (Home or Professional, 32-bit)

Although not officially supported, Pro Tools HD 8.1 can be used on Windows 7 (32 and 64-bit) continuing the public beta program for HD systems.

Please Note:

  • Pro Tools HD 8.1 software will be the last version of Pro Tools HD to support the Windows  XP operating system
  • Pro Tools 8.0.4 was the last version of Pro Tools to support Mac OS X 10.5 (Leopard) and Windows Vista operating systems

Please read the EOSS (End of Software Support) Announcements for more information.

Not Compatible
Pro Tools 8.0.3 software and higher does not support some retired products, including:

  • Expansion|HD Chassis
  • Macintosh PowerPC Computers

Please read the EOSS (End of Software Support) Announcements for more information.

New interfaces

  • Pristine audio clarity and ultra low latency through state-of-the-art A/D and D/A conversion
  • High-quality, low-noise analog I/O:
    • 2 premium, digitally-controlled mic/DI preamps
    • 4 line inputs
    • 8 line outputs, with true analog gain
  • Versatile digital I/O, with sample rate conversion:
    • 8 channels of ADAT I/O (supports S/MUX II and IV)
    • 2×8 channels of AES/EBU I/O
    • 2 channels of S/PDIF I/O
  • Completely integrates with Pro Tools|HD for full routing, mixing, and monitoring control


  • Pristine audio clarity and ultra low latency through state-of-the-art A/D and D/A conversion, premium analog circuitry, and meticulous attention to design
  • Adapt the interface for your needs—choose from three configurations:
    • Get a balance of analog and digital I/O with HD I/O 8x8x8
    • Maximize your analog I/O with HD I/O 16×16 Analog
    • Go all digital with HD I/O 16×16 Digital
  • Versatile digital I/O on all interfaces, with built-in sample rate conversion
  • Completely integrates with Pro Tools|HD for full input, output, and routing control


  • Send and receive up to 64 audio streams between Pro Tools|HD and other MADI devices
  • Maintain maximum audio fidelity, with up to 24-bit, 192 kHz sample rate support
  • Gain connection and routing flexibility through optical and coaxial connections:
    • 2 MADI inputs (optical and coaxial)
    • 2 MADI outputs (simultaneous optical and coaxial)
  • Forget having to match sample rates, thanks to built-in SRC on all I/O channels
  • Sync to an external clock through dedicated BNC Word Clock and XLR AES/EBU connections when using SRC on output
  • Completely integrates with Pro Tools|HD for full input, output, and routing control
  • Compact 1U rack-mountable design overcomes space limitations

I have to say my favourite of these is the HD OMNI It has the perfect combination of I/O. 8 analog outs for monitoring, cans feeds etc, 2 mic pres for basic tracking, some line inputs for other bits and a raft of 8 way digital inputs so I can add my Focus rite Octopre’s and away I go when I need to multi-track on location and all in a 1U unit.

The only downside is currently my interface is in my computer cupboard so to take advantage of the monitoring section I would need to remote the interface from my computer and I would need to see how long the interface cable can be.

Heat

This is what Avid have to say on their web site about this new plug-in HEAT that isn’t a plug-in…

Add some HEAT to your mix. Get the warmth and sonic character of analog “in the box” with HEAT (Harmonically Enhanced Algorithm Technology), an easy-to-use Pro Tools|HD software add-on that gives you the euphonic characteristics of prized analog gear without the expense or added bulk. Whether you’re mixing music or sound for picture, you’ll get the unmistakable sonic characteristics of a vintage analog console or outboard gear to “gel” your mixes together—right in Pro Tools. Try it free for 30 days.

Now there is a demo for you to listen too..

Take a Listen

This song*, “Ninja” by Nimble Tailors, features interchanging mixes done completely “in the box” with Pro Tools|HD and with two different settings in HEAT. Download the video (right click to save file) and take a listen through your best headphones or speakers to hear how HEAT shapes the mix.

Well to my ears it is subtle but I do like the idea of adding more even harmonics, it is of course at the root of the whole analog, valve, tape sound and to have it on every track is an interesting feature to add, again as in the 8.1 update, not the one I would have thought of first.

Now I will have to update to Apple’s Snow Leopard software before I can try any of these things out and I have resisted it so far.

Comments (4):

  1. Any word on whether or not this has any of those Canopus issues? Or if the current Izotope audiosuite plugins still have issues? I tried to hunt for their “bug fix” list but couldn’t find anything.

  2. I haven’t heard anything yet, but as soon as I do I will post what I hear. Anyone had the courage to try it and see what has been fixed?

  3. Hi.

    It is possible to run Pro tools HD Native + HD IO Digital 16×16 without a digital mixer? Wondrin’ how can i have 16 inputs preamps without a digital mixer…I was thinking a DB25 to XLR Female, would this be possible?

    Thanks.

  4. Yes because you can mix ‘in the box’. ie mixing is done in Pro Tools. Add some mic preamps with digital outputs and you’re done. I use the Focusrite Octopre, – 8 Focusrite mic preamps in a 1U box. choose your digital output from the Octopre and away you go.

    Hope that helps,

    Mike.

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    Mike is Pro Tools genius and an award winning ‘audiomeister’, defined as ‘a person of great skill and authority in sound’. His vast array of credits include music (from classical to rock), drama and documentaries across all the BBC Radio networks, as well as audio post production for video and TV, ‘new media’, live sound, commercial CDs, DVDs and podcasts, helping clients tell their stories with sound. He has been described as "an oasis of calm in a stormy creative world"; "quick, creative & easy to work with"; "always going the extra mile"; and "invests himself in the success of your project"’.
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