Found this thread on the Digidesign User Conference recently. Laki asked…
Looking at getting one of these and offloading my hardware boxes. Anybody care to weigh in on which to buy? The Neyrinck or Minnetonka version.
Mike Aiton posted…
Just a thought, but if you have the Dolby Audio Tool blue box, dont’t let go yet. The problem that I see with the software encode/decode solutions is that you can’t listen to your downmix with the metadata that you are encoding with. In the Uk on the Sky plaform, most viewers hear the downmixed 5.1 to 2.0 (as they don’t have a 5.1 decoder) so it is vital to be able to hear this. The network doesn’t transmit the LtRt that you sweated cobs over and loving put in your second programe audio on ch 7&8.. That said, I have passed this observation to Paul Neyrinck and he is “smarter than the average bear”, so I am sure a solution will be forth comming.
quadraphonics added…
I have tried both the Minnetonka and the Neyrinck software Dolby-E solutions, after using the hardware for a while and ended up purchasing the Neyrinck software. It was exceptionally easy to work with and the plug in (both encoder and decoder) worked just like the hardware – just faster. We have done well over 100 shows since we got this software. If you have any questions about how it performed in our workflow, I would be more than happy to help.
laki replied…
Thanks Randall! Tried both demos and came to the same conclusion.
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Mike is Pro Tools genius and an award winning ‘audiomeister’, defined as ‘a person of great skill and authority in sound’. His vast array of credits include music (from classical to rock), drama and documentaries across all the BBC Radio networks, as well as audio post production for video and TV, ‘new media’, live sound, commercial CDs, DVDs and podcasts, helping clients tell their stories with sound. He has been described as "an oasis of calm in a stormy creative world"; "quick, creative & easy to work with"; "always going the extra mile"; and "invests himself in the success of your project"’.
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Seven radio producers – all based in the north of England – have joined forces to launch a new co-operative venture – ‘Radio Wizards’. It’s equally remarkable that their aim now is to work together on every kind of sound production... except radio!
"It’s taken over a year to get to this point," says ‘wizard’ Mike Thornton, "but now we’ve got a viable business plan, we’ve launched our website and we’re already starting to attract commissions. As a facilities provider we decided to facilitate this partnership and set them up with a web site to help kickstart this excellent partnership."
