Video Post in Pro Tools from MacProVideo.com

Video Post in Pro Tools from MacProVideo.com

Here is info on another post related video training course, this time from MacProVideo.com

This is what they say on their web site…

We have a master of Video Post Production as a trainer at MacProVideo.com – Bill Burgess! In this Level 2 Pro Tools 8 Tutorial, Bill walks you through everything you need to know to efficiently use Pro Tools to make excellent soundtracks for your videos.

This tutorial is a classic example of “edutainment.” Bill brings a level of humor to his presentation that will keep you watching – and laughing – through the entire show. With a ton of time-won tips and tricks on offer, it’s obvious Bill’s walked-the-walk of a video post editor. You’ll learn how to repair sound, expedite edits, and do complex dialog replacement … by the time you’re finished this tutorial, no video post job will seem too demanding.

I have had a look at the sample videos and they are very detailed, taking you through each step in detail. Here is the table of contents so you can see the detail they go into…

Chapter 1: Preparing Pro Tools To Work With Video
Section 1: Creating An Audio Post Template
01. Dialog, Music & Effects
02. Overview of Audio Post Production
03. Sample Rate, Bit Depth & The Importance of Broadcast Wave Files
04. Build an Audio Post Template
05. Use Bussing To Control VO, Dialog, Music & FX
06. Use Sends To Add Depth & Realism
07. Optimize Your Session With Colors & Labels
08. Pro Tools Configurations & Making Yours Do The Job
Section 2: Importing & Optimizing Video
09. 3 Ways To Import Video
10. Troubleshooting Video Import Using QuickTime Pro & VLC
11. Double Checking Video Frame Rates
12. Manage Video Tracks & Windows
13. Optimize Video Performance
Section 3: Editing Techniques For Speed
14. Zoom Using Key Commands
15. The Smart And Only Tool
16. The Quick Way to Cut, Copy, Paste & Heal
17. Creating Fades Using Key Commands
18. Nudge & Move Using Key Commands
19. Advanced Zooming Techniques
20. Advanced Selection & Move Techniques
Chapter 2: Fixing Problem Audio, Working With Dialog & Organizing For FX
Section 4: Techniques For Dealing With Problem Audio

21. Re-Syncing Sound To Picture
22. Rebuilding Production Sound Using Source Material
23. Using Shuffle Edits To Remove Unwanted Audio
24. Editing Techniques For Repairing Clicks & Dropout
25. Using Region Based EQ To Repair Pops & Distortion
26. Overcoming Ambient Noise Problems
Section 5: What Did He Say? Voice Over & Dialog Basics
27. Recording Voice Over
28. Sweetening Voice Over
29. Voice Over Editing Basics
30. Script Changes & Pick Up Lines
31. Using The TCE To Fit To Picture
32. Working With Room Tone
33. Foreign Language Lip Sync
34. What The ____ Is ADR
35. ADR Loop Recording & Playlist Track Comping
Section 6: Using Pro Tools To Find & Organize Sound Effects
36. The Project Browser
37. The Workspace Browser
38. Importing OMF & AAF Files
39. Relinking Missing Files
Chapter 3: Editing FX, Music & The All Important Mix
Section 7: The Apocalypse Is Now, But Not Without Sound Effects & Music

40. Editing Techniques For Sound FX Creation
41. Region Groups
42. Region Sync Points
43. Working In Spot Mode
44. Elastic Audio
45. Editing Pitch & Time With Warp Markers
46. Changing Elastic Settings & Rendering
Section 8: Editing Music to Picture
47. Versioning Music With Shuffle Mode
48. Advanced Music Editing Techniques
49. Refining Music Edits
50. Using Markers & Sync Points
51. Editing Music With Elastic Audio
Section 9: Mixing, Creating Stems & Project Delivery
52. Preparing To Mix
53. Understanding Side Chain Compression
54. Create A Side Chain Compressor For Dialog
55. Creating Music & Effects Stems
56. Window Burns & Time Stamping
57. Consolidating For Delivery
58. Exporting to QuickTime
If you want to take a look at it in more detail and view the sample videos to see if this would work for you then go to the MacProVideo.com web site.

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  • About Me

    Mike is Pro Tools genius and an award winning ‘audiomeister’, defined as ‘a person of great skill and authority in sound’. His vast array of credits include music (from classical to rock), drama and documentaries across all the BBC Radio networks, as well as audio post production for video and TV, ‘new media’, live sound, commercial CDs, DVDs and podcasts, helping clients tell their stories with sound. He has been described as "an oasis of calm in a stormy creative world"; "quick, creative & easy to work with"; "always going the extra mile"; and "invests himself in the success of your project"’.
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