Here are some more details on what keys do what when you enable the Keyboard Focus
See part 1 here
See part 2 here
Navigation commands
Move Edit Selection up – P
This will move a selection from one track to the track above irrespective as to whether there is any audio on it at that point.
Move Edit Selection down – ; (semi colon)
This will move a selection from one track to the track below. If no selection has been made this and the command P will move the cursor up or down a track.
Tab back – L
This will move the cursor back (earlier in time) to the previous region boundary or sync point on the same track.
Tab forward – ‘ (apostrophe)
This will move the cursor forward (later in time) to the next region boundary or sync point on the same track.
Mike is Pro Tools genius and an award winning ‘audiomeister’, defined as ‘a person of great skill and authority in sound’. His vast array of credits include music (from classical to rock), drama and documentaries across all the BBC Radio networks, as well as audio post production for video and TV, ‘new media’, live sound, commercial CDs, DVDs and podcasts, helping clients tell their stories with sound. He has been described as "an oasis of calm in a stormy creative world"; "quick, creative & easy to work with"; "always going the extra mile"; and "invests himself in the success of your project"’.show me less content in the footer
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Seven radio producers – all based in the north of England – have joined forces to launch a new co-operative venture – ‘Radio Wizards’. It’s equally remarkable that their aim now is to work together on every kind of sound production... except radio!
"It’s taken over a year to get to this point," says ‘wizard’ Mike Thornton, "but now we’ve got a viable business plan, we’ve launched our website and we’re already starting to attract commissions. As a facilities provider we decided to facilitate this partnership and set them up with a web site to help kickstart this excellent partnership."
February 13, 2010 at 9:55 am
[...] Links to Part 1, Part 2 and Part 3. [...]