Working with video in Pro Tools part 3

Working with video in Pro Tools part 3

If you use any external display to view video files in Pro Tools, it’s important that you take into consideration video latency — the delay between video being output by Pro Tools and appearing on a screen. This will be different depending on which method you use to view your video file and what device you use to view it with. For example, some people use video projectors, which tend to have a higher latency than other display devices. Why does this matter? Well, if you are trying to get things in sync with the video and the video you are viewing is delayed, then all your carefully positioned ‘hit points’ will be out of sync on the finished product and you will have a very unhappy client on your hands! Note that video latency is an issue with both TDM and LE systems. Pro Tools has a feature in the Movie menu where you can compensate for this latency to make sure everything is bang in sync, but first you need to know how much compensation to apply!
There are some extremely useful documents on the amounts of latency on the different systems at the Pharoah Editorial site.

Richard Fairbanks compares all the different options outlined above with their relative performance and has been very supportive on the Digidesign User Conference on these matters.

Comments (1):

  1. Hi,First of all i like to thank you all the info that you put in here.Big thanks, very precious info about Working with Pro Tools.I have question.Is there any free software that can record to a DV movie straight forward from a ADVC110?I have found one but it not save the presets, its always need to make the setting again (Apple DV movie at 25 frames). The person who's in charge for this is a intern and sometimes he forgets this little aspect and the one hour movie is not working well. I've tried Quicktime Pro but it lost frames, I can figure out.Any help!?My Best regardsMarco

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    Mike is Pro Tools genius and an award winning ‘audiomeister’, defined as ‘a person of great skill and authority in sound’. His vast array of credits include music (from classical to rock), drama and documentaries across all the BBC Radio networks, as well as audio post production for video and TV, ‘new media’, live sound, commercial CDs, DVDs and podcasts, helping clients tell their stories with sound. He has been described as "an oasis of calm in a stormy creative world"; "quick, creative & easy to work with"; "always going the extra mile"; and "invests himself in the success of your project"’.
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